The Times of London
Copyright 1995
Saturday, November 11, 1995
Features
The Vulture
... picks over the bones of contemporary culture
THE PRETENDERS (1980)
CHRISSIE HYNDE arrived from Akron, Ohio, and settled in London during the midSeventies, a period in which she worked for the NME and befriended various Sex Pistols. Her own group thrived amid the embers of punk with an attitude that was sassy and a musical style that combined streetwise new wave with Sixtiesinfluenced guitar rock. A Kinks' cover, Stop Your Sobbing, launched their career with a hit, but the remainder of this album was written by Hynde, whose tart lyrics, sultry vocals and tomboy appeal gained considerable press. Her pop pedigree was evident from the contents: Kid prompted distant memories of the Shadows; The Wait echoed the vocal acrobatics of Patti Smith; Private Life (later a hit for Grace Jones) betrayed reggae influences. The cheap vulgarisms of Precious, the sensual Up the Neck and the group's definitive moment, Brass in Pocket, added the spark to a surprisingly strong debut.
A timely release date gave the Pretenders an enviable accolade as the first new act to achieve a number one single and album in the Eighties. Since that epochal moment, Hynde has mourned dead Pretenders, employed numerous replacements, campaigned for animal rights and enjoyed wellpublicised relationships with major minor rock figures.